A war on the people who have the audacity to make budget-priced or free, independent games that represent characters other than grizzled white dudes has been ongoing since August. Their games push back against the idea that games must be power fantasies, whether the power in place is the ownership of a vehicle worth millions or being an individual assassin striking terror in the hearts of the orcs of Middle Earth. Most, if not all, of these games are pretty easy to acquire, run on your college laptop, and cost $20 or less.
This hate campaign goes by the name #GamerGate. The movement was primarily founded in two events; the harassment and revealing of personal information of game developer Zoe Quinn (“Depression Quest”) regarding her supposed impropriety in “attaining press through personal relationships”—which has been debunked, though persists in a “Five Guys, Burgers and Fries” meme you can see perpetuated even in our own State Street location—and an article by games editorialist Leigh Alexander proclaiming the death of the “gamer” identity. The latter led to the creation of the #GamerGate hashtag by Adam Baldwin of the cast of “Firefly.”
Some claim that the movement is about the “contempt for the audience” this rejection of the “gamer” identity shows, but it seems to ignore sites like Giant Bomb that decried “gamer” as a marketing term invented in the early 2000s. Instead, it comes after those who entreat game developers and writers to offer experiences to new audiences. Many now claim it’s a movement about “corruption in the games industry,” but it seems to ignore sites that are taking marketing deals from Electronic Arts or Microsoft; rather they are coming after those who dare to publish “social justice oriented” articles that “push an agenda.” The agenda: it would be cool if LGBTQ and nonwhite characters appeared in more games.