ANTI

ANTI
Rihanna
2016

2016 is both the year the Rihanna superculture goes supernova and the last time she released new music. Riding the success of a cancelled 2015 album and Anti, Rihanna appears on Drake’s Views, Kanye’s The Life of Pablo, Future’s Hndrxx, Kendrick’s DAMN, and launches the Fenty Beauty company – that last one marks her transition from musician into billionaire (derogatory.)  She’s released three total songs since the official launch in 2018, two of them for the Black Panther: Wakanda Forever soundtrack and performed the Super Bowl Halftime Show and at the Oscars. That’s the only music she’s performed in that time – no surprise appearances, no concerts, no festivals.

I note all this because the supposed conceit behind Anti was to release an album she could perform as she aged out of her 20s. She looked back at songs from the start of her career as America’s Aphrodite and felt they had been burned out, that she wanted songs that would be “timeless,” an idea she modeled after “FourFiveSeconds” with Paul McCartney. That self-awareness and intention indicate an artist working to manage her own career, taking creative control, refusing to just go through the motions. I think in touring Anti, it’s possible she found that it wasn’t the form of the music itself that burned her out.

There are genres Rihanna’s never attempted before or since on Anti. Most of the album still reflects her current general sound, shaped by PartyNextDoor, Kanye collaborators Jeff Bhasker and James Fauntleroy, and trap producers like Hit-Boi, Boy-1da, and Mustard. But there’s also the Tame Impala cover of “Same Ol’ Mistakes,” the doo-wop love song “Love On The Brain,” the sliding dub of “Consideration.” While there is a clear decision to get off autopilot, this album does sound like “Bitch Better Have My Money” and “American Oxygen,” the singles from the first version of her eighth album.

Rihanna at the 2016 VMAs, winning the Video Vanguard award.

Some of these experiments work better than others. The ballad “Never Ending” gives her acoustic backing and positions her as a more mid-00s singer-songwriter, a song that uses strong harmonies to place her voice in a unique setting. It’s a more natural use of her voice than “Love On The Brain,” which sounds better in isolation than any placement next to proper doo-wop. But it’s also a bit of a facade – while Rihanna is credited as a writer on every song except “Same Ol’ Mistakes,” once you see the credits, you recognize “Never Ending” as a Dido song adjusted for Rihanna’s voice. It’s still lovely, and it’s a thoughtful way she could take a post-pop career.

This album wouldn’t be here without the Rihanna fastball pop, though. The first eight tracks (and bonus track “Sex With Me”) are as great as anything she’s done. “Needed Me” takes a chopped up Mustard beat and trades in venomous relationship control. There’s a killer quality to a lot of Anti, an understanding that Rihanna can convincingly take the dominant role in every relationship she describes. It’s maybe never more fun than in “Desperado,” a song which wields a nasty bass line under what actually might be one of the more “meet me in the middle” heartbreak songs on the album. Even a mealy-mouthed Drake verse can’t spoil “Work,” the album’s massive single, where Rihanna lets the vocalization hit the album’s most playful.

It feels so funny to be writing this and separating the names Drake, Mustard, Kendrick, Kanye, and Rihanna without drawing a battle map. Mustard had spent four years going through a contentious divorce and producing a couple songs a year before producing “Not Like Us.” When Rihanna was still making music, these men were all on top of the world. They were collaborating, and their collaborators were all collaborating behind the scenes, too. I know there are a million reasons 2016 feels a world away, but remember when the corniest thing about Drake was his interactions with Rihanna and Nicki Minaj? When Kanye’s big controversy was the dumbass “Famous” video? Knowing what we know now, maybe Rihanna didn’t just get burned out by the music itself. 

KEY TRACKS: “Kiss It Better,” “Desperado,” “Needed Me,” “Sex With Me”
CATALOG CHOICE: Good Girl Gone Bad, “Rude Boy”
NEXT STOP: Ctrl, SZA
AFTER THAT: Take Me Apart, Kelela

Key Text Introduction: Yakuza Kiwami

Yakuza Kiwami - Kiryu standing at the entrance to Tenkaichi Street.

Crime stories often invoke familiar themes. Fraternity and loyalty, duty vs. intimidation, the corruption of power, the decay of an institution. The Yakuza saga, now eight core games and numerous spinoffs and adaptations, begins with the story of Kiryu Kazuma, an up-and-coming enforcer for the broader Tojo Clan’s Dojima Family, surrendering ten years of his life to take the fall for a murder he didn’t commit. Yakuza Kiwami, released in 2017 alongside prequel Yakuza 0, commits to retelling the story of the original 2005 Yakuza as part of an effort to revitalize the franchise.

Yakuza’s story, that of Kiryu Kazuma breaking away from his foster brother Nishikiyama Akira, is the story of a man realizing he’s not young anymore. It’s the story of a man realizing that in order to protect the people he loves, including a young girl looking for the woman he left behind when he went to prison, he can’t protect everybody. It’s also the story of how getting something always comes with a cost, and Kiryu ends up spending a lot of time solving other people’s problems. Kiwami is a messy story, one full of tangents and setpieces before arriving at a more dramatic conclusion.

An introduction to Yakuza’s combat, emphasizing the four different battle stances (Rush, Brawler, Beast, and Dragon.

Where Kiwami succeeds is as an action game and an open world. The core brawling combat of Yakuza Kiwami, with four separate movesets divided into “stances,” is a delight to play and rewards thoughtful preparation and adaptation to different opponents. Every enemy you fight is named, helping to build the sense of place Kamurocho is building. And Kamurocho, the red-light district that is home to several Yakuza games, is bustling with life, sidequests, and teeming with fun minigames and details. Wandering around from the taller buildings in the Hotel District to the tight alleyways of the Champion District, you’ll find everything from slot car racing to batting cages. It’s a gorgeous rendition of city streets, and the loving attention to detail in each step of Yakuza’s world helps to ground its beloved characters.

Since the revival of the Yakuza franchise, I think most people are familiar with the games’ heightened sense of comic absurdism and representations of positive masculinity. It’s true – Kiryu is the definition of a criminal with a heart of gold, a man whose head isn’t always on straight but whose most powerful traits are his sense of empathy and his unbeatable fists. The Dragon of Dojima has helped more victims of abuse and exploitation, offered more empathy to queer people on the end of their ropes, and nonjudgmentally entertained strange hobbies or kinks more than any other character in gaming history. The colorful world of Yakuza leads you to many strange corners, but it generally comes away with a smile or accepting laugh rather than reflecting a close minded worldview.

A side-by-side comparison of a cutscene featuring Majima Goro – lacking English subtitles, this shouldn’t be considered a spoiler.

Yakuza Kiwami…isn’t as kind as its sequels. While the new content in the remake reflects that generosity in spirit (and a couple dated sidequests have been rewritten to match the modern series’ tone and inclusivity,) the core story of Yakuza is being told as it was in 2005. A comparison of cutscenes between the 2005 and 2017 games reveal that most of the main storyline is in fact replicated shot-for-shot in the modern engine. That means that the story hasn’t improved on any weaknesses present in the story from the beginning, and that includes the absence and eventual violence against women throughout the story. The Yakuza franchise, in general, is a franchise where characters die dramatically, and characters you’d hoped to see for the next five games have their storylines ended in moments. But Kiwami occasionally fails to treat those deaths with the gravity of subsequent entries, and it can be jarring and off-putting compared to the reputation of this series.

The real question regarding the sudden popularity of the Yakuza franchise in the West is “why now?” After Yakuza 0 and Kiwami, the franchise has become one of Sega’s most beloved franchises outside Japan, leading to an effort to remake and remaster entries 2-5 before moving to an international release model going forward. The answer is, I think, quite simple – the games successfully iterated into their more modern incarnation with Yakuza 3, but the sprawling, epic story of the franchise was hard to enter for newcomers with the games’ latter entries. Rebooting the story with accessible entry points allowed people to get in on the ground floor, meeting the characters for the first time.

An example of one of the many Majima Everywhere scenarios.

One other motivating factor – Kiryu’s counterpart, Majima Goro. Majima is the second protagonist of Yakuza 0, a game where Kiryu and Majima’s parallel stories only briefly intersect to tell the broader narrative of the prequel’s superior story. He was included in the original Yakuza, voiced in the English dub of the PS2 game by Mark Hamill, and was essentially a miniboss you fought a couple of times. Now, in 0 and Kiwami, he’s presented as Kiryu’s blood rival, the Mad Dog of Shimano, and much of the new content in Kiwami is centered around providing new opportunities to duke it out in increasingly absurd situations. Hiding underneath giant traffic cones, luring Kiryu into soaplands for private parties, and simply howling the word “Kiryu-chan,” the Majima Everywhere gameplay system adds a gameplay villain comparable to the Resident Evil remakes’ Mister X and Nemesis, always a threat wandering the open world and ready to shake you down. Majima’s zeal for life brings out the best in the Yakuza franchise, and this is the best possible introduction to the character.

Which brings out the question – okay, this isn’t the best representative of what’s great about Yakuza, so is it where I should start? I’d probably still argue yes – while its story is more simplistic, the strengths it has in introducing characters and thematic underlining is a pitch-perfect way to meet Kamurocho’s Tojo Clan. And the anchoring relationship between the found family of Kiryu and a little girl named Haruka-chan makes this must-play stuff for understanding where Kiryu will go forward. But if you start it and the story starts to lose you, go ahead and drift off to Yakuza 0 or Like a Dragon and see if those set off the fireworks before you come back. I say – if you’ve never tasted Yakuza’s particular blend of soap-opera melodrama, peak absurdist comedy, and genuinely badass action before, you probably won’t be able to get enough.

Yakuza Kiwami is available on PS4, Xbox One and Xbox Series X consoles, and PC, for around $20. The game is also available on Xbox Game Pass, along with the other Yakuza games in the Kiryu Kazuma saga.

Yakuza Kiwami - Kiryu and Haruka walking down Tenkaichi Street in Kamurocho, holding hands.